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A Watchdog Accused Officers of Serious Misconduct. Few Were Punished.

One New York City police officer was accused of pepper-spraying a woman, then denying her medical treatment while she was handcuffed in a Bronx holding cell.
Another officer slammed a 51-year-old man who had been arguing with some restaurant workers onto the floor, knocking him unconscious, the man said. A third officer was accused of tackling a gay man during a pride parade and using a homophobic slur.
The city’s independent oversight agency that investigates police misconduct found enough evidence in all three cases to conclude that the officers should face the most severe discipline available, including suspension or dismissal from the force.
But in the end, senior police officials downgraded or outright rejected those charges, and the officers were given lesser punishments or none at all — the kind of routine outcome that has left the Police Department facing a crisis of trust in its ability to discipline its own.
“It’s a very raw thing,” recalled Zakariyya Amin, who said he was left deeply disillusioned by how the Police Department handled his case involving the incident in the restaurant. “I wake up, still seeing this guy throwing me around, pushing me around.”
This pattern of lenient punishment holds true for about 71 percent of the 6,900 misconduct charges over the last two decades in which the agency, the Civilian Complaint Review Board, recommended the highest level of discipline and a final outcome was recorded, according to an analysis of recently released data by The New York Times.
In case after case, the records show that the Police Department often used its power over the disciplinary process to nullify the review board’s determination that serious misconduct had occurred and that the stiffest punishment should be meted out.
The department regularly ignored the board’s recommendations, overruled them or downgraded the punishments, even when police officials confirmed that the officers had violated department regulations, The Times found. All the while, the city paid millions of dollars to resolve lawsuits from people filing complaints in some of those very same cases.
Mayor Bill de Blasio was elected on a platform that included reining in police misconduct, but these trends have gone largely unchanged during his stewardship of the department.
The analysis shows that since Mr. de Blasio took office in 2014, the department has overruled the board’s recommendation in more than half of the cases in which the board sought the most severe discipline.
In the first half of 2019, the police commissioner at the time, James P. O’Neill, imposed the penalty recommended by the review board in just three out of the 14 cases the panel prosecuted.
In one of the remaining cases, the Police Department decided to allow an officer to go unpunished after the review board concluded that he had used excessive force in punching a 14-year-old boy. In another case, the department chose not to take action against an officer found to have used a chokehold to lift a handcuffed man off his feet and slam him into a car.
The release of the Civilian Complaint Review Board records comes as police departments across the country are under mounting pressure to remove problematic officers from their forces after the death of George Floyd.
As protests swept the city and nation this summer, both Mayor de Blasio and Police Commissioner Dermot F. Shea urged the public to have confidence in the city’s ability to hold officers accountable. But the data offers further evidence of the challenges that outside oversight agencies face in going up against police forces.
Mr. Shea, who was appointed a year ago, has imposed the board’s recommended penalty in only two of the 28 cases in which charges were brought, records show.
After learning that The Times had inquired about how Mr. Shea has handled misconduct, the Police Department issued a news release last week promoting his record on discipline. It said that under Mr. Shea, the department had made several changes, including adopting disciplinary guidelines that standardize penalties.
“We ask for the public’s trust — and the public must know we are worthy of it,” Mr. Shea said.
Still, the handling of police misconduct cases continues to roil the city government: On Wednesday, four senior officials at the Civilian Complaint Review Board were laid off abruptly.
The agency described the move as a restructuring meant to expand its investigative muscle, but some employees said the layoffs amounted to retaliation against officials who criticized how the agency responds when the Police Department refuses to cooperate with its inquiries.
A disciplinary system in “disarray”
The Civilian Complaint Review Board was established in 1993 by Mayor David N. Dinkins and the City Council to address widespread complaints that police officers were operating with impunity, rarely facing consequences for harassment and brutality, particularly in Black and Hispanic neighborhoods. Residents who believed that they had been subjected to misconduct often felt they had no recourse, which led to a growing resentment of the police.
The Dinkins administration envisioned that the board would be independent of the Police Department, with its own investigators and subpoena power, and would give the public confidence that abusive officers would be held accountable.
But the data, released for the first time in the agency’s history, instead suggests that the board has become all but toothless. The public can file complaints, but the board, often referred to as the C.C.R.B., has little ability to ensure that officers deemed troublesome or worse will face serious consequences.
“What is the C.C.R.B. there for, if they’re recommending stuff and the N.Y.P.D.’s not listening?” said Jacob Alejandro, the gay man who said a lieutenant had knocked him to the ground during a Gay Pride parade, in 2014.
The Police Department declined to comment on the instances of misconduct described in this article, citing an ongoing lawsuit challenging the city’s authority to release additional records. The department would not make individual officers cited in the complaints available to be interviewed.
Assistant Chief Matthew V. Pontillo, who oversees disciplinary policies, disputed the Times analysis and said it was difficult to draw conclusions from the released data.
There were “unique factors that make each case different, that you don’t see in the data, that you would only see if you read the trial decisions,” he said.
But the Rev. Fred Davie, chairman of the review board, said the Police Department’s internal disciplinary system had been in “disarray” for years.
The review board investigates civilian complaints that allege that officers used excessive force, abused their authority or used offensive language and gestures. And in recent years, the panel gained the power to investigate allegations of sexual misconduct and false statements by officers.
The board has no power to impose discipline itself and must present its evidence to an administrative judge employed by the Police Department.
Neither does the board have the power to bring criminal charges. That remains the job of state and federal prosecutors, who are empowered to investigate crimes by officers, such as corruption, assault or unjustified killings.
Just 7 officers facing charges were fired
Since 2015, the review board has published statistics in its annual report showing that the Police Department chose not to follow its recommendations in most cases in which the board brought charges.
But with rare exceptions, the names of officers and other details remained secret until this year, when the State Legislature, responding to the nationwide protests against police brutality, repealed a law that had sealed police disciplinary records.
As a result, the review board released a database of civilian complaints that identifies officers and lists allegations against them, as well as the outcomes of cases.
The data is not comprehensive, especially for complaints filed before 2001. What’s more, information about people who filed complaints, as well as about pending cases, remains largely secret. The Times was able to determine details of cases through other means, including by reviewing lawsuits.
The data provide the most detailed portrait to date of allegations of serious police misconduct resulting in charges since 2001. Some of The Times’s findings include:
The Police Department followed the review board’s recommendations less than 20 percent of the time.
The review board brought charges against a total of 3,188 police officers. Some faced multiple charges in connection with one or more complaints.
798 of the officers were eventually put back onto the street by the department after receiving additional instructions, training or warnings; 890 were not disciplined at all.
Fewer than one in five officers received punishments, ranging in severity from one lost vacation day to 12 months of “dismissal probation,” which allows officers found to have committed offenses they could be fired for, like using a chokehold, to keep their jobs as long as they stay out of trouble.
Just seven officers facing charges were fired, and only after being convicted of a crime in state or federal court or after lying to police internal affairs investigators. They include Daniel Pantaleo, the officer who did not tell investigators the truth about his use of a banned chokehold that sent Eric Garner into a death spiral on a Staten Island sidewalk in 2014.
Some officers had multiple findings against them and continued to rise in the department. The city has paid out more than half a billion dollars just since 2016 to resolve lawsuits over these allegations and many like them.
The board is considered to be so weak that some lawyers said they discouraged their clients from filing a complaint. The lack of a finding or punishment against the police officers involved could be used to undercut a lawsuit.
Body-slammed by a police officer
Mr. Amin, who said he was body-slammed by a police officer in 2012, received just that advice from his lawyer.
Zakariyya Amin said he was body-slammed by a police officer in 2012.
“He said that, ‘All you’re going to be doing is wasting your time,’” Mr. Amin recalled. He proceeded anyway.
Mr. Amin, then 51, said he had been trying to buy a meal for a homeless man at a Coney Island restaurant when he got into an argument with workers, who refused to serve the other man.
According to the complaint, police officers arrived and accused Mr. Amin of disorderly conduct, twisted his arm behind his back, threw him to the ground and briefly knocked him unconscious.
The review board identified the officer as Andrew Schmitt and, based on its investigation, recommended that the department charge him with using excessive force.
But an administrative judge in the Police Department found Officer Schmitt not guilty of the charge after a departmental trial. The city later settled a lawsuit with Mr. Amin for $150,001.
Pepper-sprayed in a holding cell
Priscilla Colon was 50 when she watched police officers arrest a friend of hers on a street corner in the Bronx in 2009. According to her lawsuit, she was handcuffed after asking why her friend was being detained.
Later, in a holding cell at a Bronx precinct, Officer Kevin Carney pepper-sprayed Ms. Colon and told her to “fellate” him, according to court documents.
The C.C.R.B. recommended Officer Carney be brought up on charges of excessive force for his use of pepper spray and abuse of authority for refusing to seek medical attention for Ms. Colon.
He was not disciplined on the force charge. For abuse of authority, the records indicate he was given command discipline, meaning his punishment was decided by his commanding officer.
It is not clear what sanction he received, but at the time, the penalty for command discipline ranged from a verbal warning to 10 lost vacation days. The city later settled a lawsuit and paid Ms. Colon $50,000.
In some cases, the records appear to show the police upholding the review board’s findings. But in reality, the penalty imposed by the commissioner was still less than the one that the review board requested.
For instance, the review board wanted Officer James Frascatore to forfeit 10 vacation days for tackling James Blake, a prominent retired professional tennis player, in a case of mistaken identity that received significant attention in 2015.
The officer was found guilty at an administrative trial of using unnecessary physical force, but Police Commissioner O’Neill cut the penalty to five days.
In 2017, a Bronx sergeant used a Taser stun gun on a pregnant 17-year-old girl who refused to allow officers responding to a call about an argument to enter her family’s apartment, according to video and court papers.
The department’s policy says the devices should not be used on “obviously pregnant women,” but a witness recorded the officer using it on the girl, Dailene Rosario, who screamed she was pregnant as several officers attempted to restrain her.
The sergeant, Robert Durst, pleaded guilty to charges brought by the review board and agreed to forfeit 25 vacation days. But Mr. O’Neill docked him just 15. The city later paid $250,000 to settle Ms. Rosario’s lawsuit.
Scott Rynecki, who represented the teenager, said the evidence could not have been clearer — and yet, the officer received a penalty that was hardly enough to deter brutal misconduct, a pattern he has seen with other clients.
“You’re not exactly sending them a message not to do this again by hitting them with such minimal penalties,” he said. The system ‘still needs a lot of work’
Assistant Chief Pontillo, who helps to develop disciplinary policies, said one reason the two agencies seldom agreed was that the review board’s investigations were uneven.
When the Police Department declined to follow the panel’s recommendations, he said, it was often because the review board had overcharged an officer, failed to produce enough evidence or did not take into account all the circumstances.
He said the department was more likely to follow the board’s recommendations when it recommended lesser discipline, partly because harsher discipline could hinder police officers’ careers.
“The mere fact of having a substantiated civilian complaint, that can be more significant than any penalty actually imposed,” Chief Pontillo said.
Andrew C. Quinn, a lawyer who defends police sergeants in misconduct and criminal cases, said he had not been impressed with the review board’s evidence gathering.
“It’s a feel-good agency to say, ‘Hey, look, we’ve got some oversight of the department, a bunch of politically appointed board members and a bunch of inexperienced and incompetent investigators,’” he said.
Mr. Davie, the board chairman, acknowledged that the board could improve the quality of some of its investigations but said the Police Department could also do a better job at punishing officers.
The department’s system has long been haphazard and too dependent on the whim of senior police officials, he said. For those reasons, the department recently proposed a disciplinary matrix to standardize penalties.
“The system was nowhere close to what it needed to be, and it still needs a lot of work,” he said.
The release of the records has renewed a long-running debate about whether the police commissioner should have sole authority over officer discipline and whether the review board should be able to overrule him.
Chief Pontillo said the commissioner’s authority is crucial for maintaining control of the force, but Mr. Davie said the entire trial process should be scrutinized.
Civil rights lawyers, elected officials and community activists agreed, saying the department’s willingness to depart from the review board’s findings has weakened civilian oversight.
“The N.Y.P.D. has been looking the other way and condoning police abuse routinely and stunningly for decades,” said Donna Lieberman, executive director of the New York Civil Liberties Union, which filed a public records request to get the data and make it public. “But I think nobody had any idea how massive and pervasive the failures of accountability were.”
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{Discussion} Understanding Zeena Schreck

{Discussion} Understanding Zeena Schreck

Understanding Zeena Schreck

From Wikipedia, the free encyclopedia

Zeena Schreck

Birth name; Zeena Galatea LaVey
Born; November 19, 1963 (age 56)
Zeena performing at Kantine am Berghain, Feb 28, 2016 – Berlin (Germany)
San Francisco, California, U.S.
Genres Electroacoustic music, sound art, field recording, soundscape, minimalism, magic realism, ritual music, experimental, dark ambient, ambient, post-industrial, neoclassical, gothic rock, post-punk
Occupation(s) Singer, songwriter, musician, composer, performance artist, photographer, visual artist, author, religious teacher]
Instruments Vocals, keyboard, Percussion, Flute, Synthesizer, Electronics, Sampling
Years active 1967–present Labels Gymnastic Records, Unclean Productions, Wolfslair, Inc., Video Werewolf, Musicus Phÿcus, The Epicurean
Associated acts Radio Werewolf, Nikolas Schreck, Christopher Lee, Hisham Bharoocha, John Murphy, NON, Musicus Phÿcus, Cory Vielma, King Dude, Frank Haines, Chris Kachulis
Zeena Schreck (born Zeena Galatea LaVey; November 19, 1963), known professionally by her mononymous artist name ZEENA, is a Berlin-based American visual and musical artist, author and the spiritual leader of the Sethian Liberation Movement (SLM), which she founded in 2002.
Raised within her father's organization, the Church of Satan, she came to international prominence early in life as the Church's first spokesperson, defending the organization during the 1980s. In 1990 she resigned her position, severed ties with her father Anton LaVey and his Church, and renounced the church's tenets. Since that time, her religion changed to Buddhism and she is now a teacher of Tibetan Tantric Buddhism.

Zeena has grown into an occult icon in her own right
Early years and family
Zeena was born in San Francisco, California to Anton LaVey and Diane Hegarty, co-founders of the Church of Satan. On May 23, 1967, three-year-old Zeena had the first and most highly publicized Satanic baptism in history performed by her father. The ceremony garnered worldwide publicity with a reenactment of the ceremony recorded for The Satanic Mass LP.]
Zeena was subjected to hundreds of journalistic reports and interviews especially in tabloid crime and men's magazines.
Anton LaVey biographer, Burton H. Wolf described a thirteen-year-old Zeena in his introduction to her father's The Satanic Bible as "Zeena, remembered by people who saw the famous photo of the Satanic Church baptism as a tiny tot, but now a gorgeously developed teenager attracting a growing pack of wolves, human male variety."
In an interview with The Guardsman, she describes becoming a mother at the age of fourteen while living in "a stifling, dysfunctional family life."
Early artistic influences and training
Zeena's work as a photographer, visual artist, musician/composer and writer are heavily influenced by mystical and magical traditions. Stylistically, she gravitated at an early age to artists and mentors whose art were also imbued by a mystical or magical vision.
As a teenager and young adult, she trained in and studied theater, drama and film. At sixteen years of age, Zeena passed the High School equivalency exam, which enabled her to leave High School early, begin working legally and enroll in City College of San Francisco, majoring in Drama.
In addition to CCSF's Drama Department, she also received instruction from Stella Adler Studio of Acting, Eric Morris acting coach, Viola Spolin's student Marcia Kimmell of The Next Stage Improvisation Theater San Francisco, and the San Francisco School of Dramatic Arts. Her study focus was Hellenic sacred drama, improvisation, and various branches of the Stanislavski 'system' and method acting.
The importance of lineage as a vehicle for passing down metaphysical energy guides Zeena's ritual art. She traces the lineage of her magical art to the mentorship of her godfather, filmmaker Kenneth Anger.
During the 1960s and 1970s, Anger transmitted the influences of Curtis Harrington, Jean Cocteau, and Maya Deren on his own work to Zeena during her childhood and adolescence.
Zeena also became a long-time friend of director Curtis Harrington, who cast her as a Dietrich-like character in his last film, Usher (2000).
Religious groups
In 1985, Zeena became the high priestess of the Church of Satan, and remained its spokesperson until 1990. She later became a devotee of the ancient Egyptian deity Set, becoming high priestess of the Temple of Set in 2002, and forming the Sethian Liberation Movement later that same year.
Interviews, articles and reviews from 2011 to 2013 referred to her conversion to Tibetan Tantric Buddhism in the Drikung, Karma Kagyu and Nyingma lineages, as well as her status as the spiritual leader of the Sethian Liberation Movement (SLM).
Church of Satan
In the 1980s in the United States, there was a moral panic about Satanic ritual abuse, sometimes referred to as the "Satanic Panic". It started with the publication of the now-discredited memoir Michelle Remembers in 1980, and culminated in the McMartin preschool trial, a heavily publicized trial which ran from 1984 to 1990, during which prosecutors, through aggressive and leading questions, managed to get over 300 of the preschool's children to testify that they had been sexually abused by their teachers as part of Satanic rituals.
The charges were all eventually dropped. Media coverage during the trial tended to side with the prosecutors, and often singled out the Church of Satan as the culprit. This led Zeena to volunteer to serve as the Church of Satan's first spokesperson. In a September 2011 interview, Zeena recalled.
In 1985, a US news show called 20/20 accused The Satanic Bible of being responsible for child daycare Satanic ritual abuse, allegations which were new then.
I called my father and asked him what his media strategy would be to deal with this catastrophe. Nothing. He didn't care. As far as he was concerned it didn't concern him. It wasn't anything he needed to worry about.
He certainly wasn't going out in public to do anything about it. He admitted that many media sources had already contacted him and he was just going to ignore it until it went away. I tried to convince him that this would only get worse if he didn't respond and that he really needed to get someone to answer calls quickly or it would be taken as an admission of guilt or suspicion. Finally he admitted he had no one to deal with interviews or media. I offered to help temporarily until he found someone. This was not what I'd intended to do with my life, I had other plans.
As the Church of Satan's spokesperson, Zeena appeared in nationally syndicated programs such as The Phil Donahue Show, Nightline with Ted Koppel, Entertainment Tonight, The Late Show and Secrets & Mysteries.
She also appeared on the Sally Jessy Raphael Show, alongside her husband, debating several Christians who were invited onto the program to expound their own religious views.
Internationally, she appeared in such media presentations as Italy's RAI Mixer show and Toronto's Industrial Video presentation dedicated to a compilation of Zeena's TV appearances, ending with a lengthy radio interview for CUIT.
She was also interviewed in a broadcast of "Devil Worship: Exposing Satan's Underground" released by Geraldo Rivera in 1988.
Zeena sat alongside the Temple of Set foundeHigh Priest Michael A. Aquino, and repeatedly denied the rumors circulating at the time that the Church of Satan was in any way involved with ritual abuse. She also called the testimony of claimants involved into question, asking them rhetorically why, if people were being forced to give birth to babies for sacrificial rituals, no remains had ever been found.
In 1989, Anton LaVey's 1971 book The Complete Witch, or What to Do When Virtue Fails was reprinted as The Satanic Witch, with an introduction by Zeena.
Zeena with Nikolas Schreck
She toured the U.S. promoting her father's work in his absence, as he was no longer interested in making media appearances. Most of the appearances were made at the behest of the Church of Satan as its spokesperson.
In 1989, while promoting the book, Zeena appeared with her then husband Nikolas Schreck (not a member of the COS) in an interview with televangelist Bob Larson, during which they both refuted any Satanic criminal ties, and pressed Larson on his own ideals, stating that it was hypocritical of him to endorse such claims by Christians, pointing out the Christian background of many criminals, and violent acts within Christian history, such as the crusades.
Zeena's Interview on KJTV with Tony Valdez, 1990, was the last interview she granted as public representative and High Priestess of the Church of Satan before resigning.
In a March 2013 interview televised by Network Awesome, Zeena spoke for the first time on camera about her experiences with media during the "Satanic Panic" years.
Zeena was also in regular contact with law enforcement agencies and personnel, including Detective Patrick Metoyer of the LAPD[34] and Robert D. Hicks, law-enforcement specialist with the Virginia Department of Criminal Justice Services and author of several precedent-setting treatises including In Pursuit of Satan: The Police and The Occult.
In Pursuit of Satan began the wave of authoritative reports debunking the Satanic Panic. Much of what Hicks gleaned from Zeena's dialogs with him was included in this treatise. Prior to Zeena's dialogs and meetings with government agencies, police and law enforcement had only a very limited knowledge of Satanism. In 1992, the FBI issued an official report refuting the criminal conspiracy theories of this time.
Leaving the Church of Satan, 1990
In 1990, she resigned from the Church of Satan and renounced LaVeyan Satanism. According to Zeena's official web site, "In the process of defending the Church of Satan from these unfounded claims in the U.S. mass media, Zeena's media appearances attracted a new upsurge of membership to the formerly moribund organization even as she began to question and ultimately reject the self-centered philosophy she promoted.
As she toured the United States on behalf of the Church of Satan, Zeena's crisis of faith reached its highpoint when she learned that most of her father's self-created legend was based on lies and that many of his works were plagiarized.
When jealousy and spite motivated Anton LaVey and his administrator Densley-Barton to actually endanger Zeena's life, she could no longer continue to cover up her progenitor's true character in good conscience.
This behind the scenes tension should be kept in mind when viewing or hearing Zeena's interviews from that time."
According to Zeena's homepage, remaining members of the Church of Satan and the LaVey family "reacted to her resignation by indulging in a typical cult-like character assassination campaign against her."
Particularly active in the hostility against Zeena were Blanche Barton, Peter H. Gilmore, Peggy Nadramia, Boyd Rice, Lisa Crystal Carver], Daniel Ignace Kapelovitz, Larry Wessel, Stanton and Szandora LaVey.
After her renunciation of the Church of Satan, Zeena Schreck severed use of her born name "LaVey" and legally changed her last name, for all official matters, to "Schreck".
In a December 30, 1990 open letter to Michael A. Aquino of the Temple of Set, she stated: "In light of all of the factors herein, I also officially severed my given surname [LaVey] and now prefer to be known only as Zeena. As I feel naturally aristocratic, I also have no need for the empty titles of Magistra or High Priestess that have been bandied about and fought over."
Since then, she does not accept correspondence addressed to "Zeena LaVey," "Zeena LaVey-Schreck", or any variant using the name LaVey.
Temple of Set
Zeena began to pursue ancient religious practices relating to the Egyptian god Seth and Sethianism. She has stated, "While I was residing in Vienna, I visited a museum where a Sethian altar lives. It was there that I had a very profound experience that enabled me to clearly see the course for my future."
At the time, she was also practicing traditional tantra and yoga. Her experiences within those two systems, as well as her central role and life's experience in other occult and esoteric milieux, would contribute considerably to the content of her book Demons of the Flesh, co-authored with Nikolas Schreck.
In 1997, Zeena and co-guest Nikolas Schreck once again debated Christian Minister Bob Larson. This time she did not represent Satanism but rather Sethianism, though the interview was titled "Showdown With Satanism". At the time she was III° Priestess of Set.
In 2002 Zeena became High Priestess of the Temple of Set.
Sethian Liberation Movement
The Sethian Liberation Movement was founded on November 8, 2002, after Zeena Schreck resigned from the Temple of Set with four Masters of the Temple of Set (one Master, Magister Michael Kelly, was also a member of the corporate Board of Directors for the California non-profit organization The Temple of Set).
Details of the departure were explained in a letter dated November 8, 2002 from the newly departed Temple of Set Council of Nine member to an Adept IIº member regarding the events leading to Zeena's resignation and the founding of the Storm, later renamed the Sethian Liberation Movement.
Shortly after Zeena Schreck resigned from the Temple of Set, a Disinfo listing for the Temple of Set from December 17, 2002 under the heading: 2002 Schism: The Storm Awakens reported, "High Priest Don Webb stepped down, and, on 9 September 2002, was succeeded by High Priestess Zeena Schreck.
Six weeks after the Helsinki Conclave (September 2002), Zeena, Magister Aaron Besson, Magister Nikolas Schreck and Magister Michael Kelly all resigned on 8 November 2002. Four Priests Alfred Rodriguez, Kevin Rockhill, Jared Davison and Richard Gavin also resigned. Temple of Set sources have claimed that eighteen Initiates have resigned while others have estimated the number at closer to sixty (including several Orders, Elements, and members of the Adept and Setian degrees)."
Modern vibes
In one of the Sethian Liberation Movement's earliest public Frequently Answered Questions documents released, Disinfo referenced it in their post covering the Temple of Seth/Storm schism: "... [the] document defines the new and as-yet unnamed group as ... a loose confederation of Setian Teachers and Students, an alliance of Orders." The group has eschewed the Temple's administrative and non-profit structure, as well as its degree system and titles.
Schreck with John Murphy and Cory Vielma at the Wave-Gotik-Treffen Festival in May 2015
"We work together through mutual respect and interest, not through any organizational limitations or restrictions", the FAQ document states. Finally, its founders have sought to avoid the "magical society" structure of post-Theosophy groups: the confederation is "an ongoing Magical Working in which we may participate, a living, dynamic and evolving thing."
Zeena's homepage states, "Drawing on her own triumph over these and other dysfunctional family experiences, Zeena, a professional bereavement counsellor, founded The Sethian Liberation Movement's public outreach program PHOENIX to help others in similar situations."
It explains that "Since 2004 Phoenix provides spiritual healing for victims of exploitative pseudo-religious organizations, former gang members, whistle-blowing ex-employees of corrupt corporations and governmental agencies, relatives of the violently mentally ill, and survivors of all forms of institutional abuse, including secretly abused children and spouses of prominent personalities."
Other media appearances
Zeena at the German premiere of Charles Manson Superstar, a film she co-produced and narrated, in 1989
Zeena's website states: "Preferring to allow her work to speak for itself and indifferent to public opinion, Zeena has granted only a very few interviews since 1993."
In 2004 Zeena and Nikolas Schreck spoke about their book Demons of the Flesh on The Devil's Advocate radio show. In that interview, Zeena also spoke about the Storm (before it had been renamed Sethian Liberation Movement) and its incorporation of the tantric left way practices she writes of in her book.
In December 2011 Zeena Schreck spoke about the Sethian Liberation Movement on Nightwatch Radio while also promoting two of her short fiction stories, A Short History of Buddhism in Berlin and Lost and Found: A Fairy Tale of Sethian Awakening, in the literary journal Beatdom released December 2011. According to the Nightwatch interview Zeena Schreck states that the Sethian Liberation Movement (SLM) is not membership based nor a 'group' seeking to fill dues quotas, or something to join but rather a practice.
In December 2012, Zeena Schreck was invited back to Nightwatch Radio. This time, promoting the 2012 Radio Werewolf release of The Vinyl Solution - Analog Artifacts: Ritual Instrumentals and Undercover Versions CD, the first authorized Radio Werewolf release in 20 years,[56] and Beatdom's Crime issue #12 featuring a vintage portrait of Zeena on the cover and her theatre monologue, "Night Shift, Richmond Station".
On December 10, 2012, Zeena curated a stream of videos for Network Awesome's Live Music Show, with audio and visual clips arranged in an autobiographical manner.
On March 18, 2013 Network Awesome's daily program opened with an exclusive original production featuring Zeena Schreck's first one-on-one televised interview in 22 years, conducted by artist Jen Ray.
Network Awesome spotlighted Zeena with a full day of programming, referencing various facets of her life.[61] Other features in the day's program included archival interviews of Zeena and documentaries relating to her current spiritual pursuits and practices.
In 2016, a mock conspiracy theory in a vein similar to that of the Ted Cruz–Zodiac meme arose online, conflating Zeena with popular singer-songwriter Taylor Swift.
Schreck at the Berlin Independence Days Music Festival, 1989.
Music and performance art
Schreck at the Berlin Independence Days Music Festival, 1989.
The 8/8/88 Rally
On August 8, 1988, a large gathering converged on the Strand Theater in San Francisco for the film debut of a 'mockumentary' about Charles Manson. The event, planned and carried out by Nikolas Schreck, was the largest single gathering of this kind in history[citation needed]. Zeena spoke at the beginning of the rally and a film of her baptism was played. In a 2011 interview with Zeena for French music magazine Obsküre, she stated that 8-8-88 "would be the only performance that Nikolas, Evil Wilhelm [the original Radio Werewolf percussionist], and I ever performed live together.
That marked the transition point spanning three phases of Radio Werewolf: 1) the Nikolas Schreck/Evil Wilhelm collaboration, 2) the solo Nikolas Schreck phase, and 3) the Nikolas Schreck/Zeena collaboration."
Also featured were NON, Amok Press and Kris Force, a musician who at the time owned the Strand Theater.
Geraldo Rivera's "Devil Worship: Exposing Satan's Underground" film crew filmed the event, as well as interviews with all involved, to use for the network special.
Radio Werewolf
Main article: Radio Werewolf
From 1988–1993, Zeena was co-director of the experimental musical project Radio Werewolf.[67] She served as composer, vocalist, musician and graphic designer on the Radio Werewolf recordings "Songs for the End of the World", "The Lightning and the Sun", "Bring Me The Head of Geraldo Rivera", "These Boots Were Made for Walking", and "Love Conquers All." Her performances were exclusively European-based at that time.
In 2012, Radio Werewolf released The Vinyl Solution - Analog Artifacts: Ritual Instrumentals and Undercover Versions Compact Disc, the first authorized Radio Werewolf release in 20 years.
In 2016, Classic Rock magazine ranked Radio Werewolf #4 on their 'The 25 weirdest bands of all time' list, stating: "Formed during the height of 'Satanic Panic' hysteria in mid-80's America, Radio Werewolf was once considered 'the most dangerous band in the world', largely due to the notoriety of their vocalist, Zeena Schreck ...".
Zeena artwork
In 2016, The Top Tens Most Satanic Bands listed Radio Werewolf, "Yes!, Since when does Heavy Metal have to be the only satanic music. Why not dark organ Gothic/Deathrock."
In 2019, Amy Haben's article "Subversive Grooves: Music From the Dark Side," for the 25 February edition of online zine Please Kill Me, describes Radio Werewolf and Zeena, "Radio Werewolf is one of the coolest bands you probably never heard of. It’s a dark trip on to the set of a vintage horror movie.
Zeena’s version of Nancy Sinatra’s, “These Boots Are Made For Walkin’,” features a World War II-esque sample sound of marching boots to kick it off the song followed by a deep bass line reminiscent of Nilsson’s “Jump Into The Fire.” Zeena seduces with sultry vocals and smacks a bit of German into the middle of the tune.
Zeena at the German premiere of Charles Manson Superstar, a film she co-produced and narrated, in 1989
Solo music career
Schreck with John Murphy and Cory Vielma at the Wave-Gotik-Treffen Festival in May 2015 Performa 13, New York
On November 8, 2013, the visual art performance biennial Performa presented Zeena accompanied by New York musician Hisham Bharoocha (first percussion) and Danish musician Anders Hermund (second percussion), for a vocal based work that tapped into the ritual use of sacred syllables from Vajrayana, Shaktism and Sethian-Typhonian left-way tantric practices, "originating from emptiness, gradually transforming into a sound and voice collage on a stage set design by Frank Haines." This was Zeena's first solo performance in her native country since her expatriation to Europe in 1990.
David Sanderson described the event, "Jingling bells and padded footsteps echoed in the darkness. The curtains silently parted, dramatically revealing an electrified, vermilion environment. Dead center, with hands held in the Mudra position, stood the seemingly twenty-foot tall goddess Zeena. With a painted gong behind her, Bharoocha and Hermund adorned her sides. Bharoocha lit incense that swept through the audience as Zeena's commanding gaze pierced us all (everyone I talked to after the show swore she was staring directly at them)."
Wave-Gotik-Treffen music festival
On May 23, 2015, after a 24-year retreat from musical performances, Zeena made her official return to music in Europe, now as a solo artist, at the Wave-Gotik-Treffen festival in Leipzig, Germany.
The concert, held amid "the sacred, magically charged ancient artifacts housed in Leipzig's Egyptian Museum (at the Leipzig University)," was a unique ritual soundscape which Zeena composed especially for the theme of that environment. She was accompanied by Cory Vielma and John Murphy. This was John Murphy's second to last performance.
Having suffered a long illness, John Murphy died less than five months after this concert.
In accordance to Murphy's wishes, Zeena conducted the traditional Tibetan Buddhist ceremony for the passing of consciousness as he died.
In 2016, a tribute to John Murphy as a 3CD compilation set entitled "All My Sins Remembered - The Sonic Worlds of John Murphy" was released by The Epicurean record label. On it, a live track from Zeena's WGT concert, featuring Murphy's electronic-percussion is included. The CD booklet also features cover portrait of Murphy by Zeena.

Zeena Taylor swift meme
Composeperformer for Radio Werewolf
The Lightning and the Sun, Vinyl Mini LP 1989 Radio Werewolf, Unclean Productions
Bring Me the Head of Geraldo Rivera, Vinyl Mini LP 1990 Unclean Production
Songs for the End of the World, CD 1991 Radio Werewolf, Gymnastic Records,
Witchcraft/Boots, Vinyl Double-cover 12" Maxi Single 1991 Radio Werewolf, Unclean Production
Love Conquers All, CD 1992 Radio Werewolf, Gymnastic Records,
The Vinyl Solution- Analog Artifacts: Ritual Instrumentals and Undercover Versions, CD
Christopher Lee Sings Devils, Rogues & Other Villains (From Broadway To Bayreuth And Beyond), 1996 Wolfslair, Inc., Co-Produced with Nikolas and Zeena Schreck,
5,000 Years of the God Set, 1997 Wolfslair, Inc./2012 Kaliyuga Clearing House, Producer Zeena Schreck,
Charles Manson Superstar (co-producenarrator), 1989, film documentary, directoproducer: Nikolas Schreck)
Other recordings
Zeena provided all the female narration, as well as contributing some of the soundtrack music for the documentary film Charles Manson Superstar, 1989 Video Werewolf.[82]
Georges Montalba - Pipe Organ Favorites & Fantasy in Pipe Organ and Percussion, 2001 Hit Thing, digipack booklet includes an article written by Zeena Schreck with her archival photos, graphics and the last photo together of her and her father,
Zeena [LaVey] Radio interviews: Three Volume Set, 1989 The Black House,
Zeena Speaks on the Death of Anton LaVey, 1998 Wolfslair, Inc./2012 Kaliyuga Clearing House,
X - Zero (Track: Hymn To The Great Grand Goat), Vinyl LP 1998 Musicus Phÿcus
All My Sins Remembered - The Sonic Worlds of John Murphy (Live track from WGT 2015 performance; track title "Sethian Dream Oracle"), 3-CD compilation, 2016 The Epicurean]
Recordings about or inspired by Zeena
Two tracks from the EP State and Design, titles: Radio Werewolf and An Anonymous, released April 30, 2018 by Cubus Larvik. Samples of Zeena's voice from interviews used copiously throughout, as well as a still from one of Zeena's interviews used for the cover.
Zeena LaVey: Satanist (song title), released October 10, 2013 by DENNIS.
Pentagram Sam, released 2012 by Da Grimston & Mist-E. A Satanic rap parody on T-Rex; references Zeena in lyrics and imagery as status symbol within that milieu, e.g., "I'm Facebook friendz with Zeena LaVey; Pentagram Sam get outta the way."
The Satanic Mass, 1968 Murgenstrumm Records / re-released on CD, 1994 Amarillo Records / 2001 Mephisto Media. Contains a reenactment of Zeena Schreck's historic satanic baptism.
Satan Lives (interviewed as herself), documentary, 2015. Directors: Sam Dunn & Scott McFadyen, Banger Films.
Usher (plays Sapphic Poetess), short film based on Edgar Allan Poe's "The Fall of the House of Usher," 2000. Director: Curtis Harrington
Charles Manson Superstar (co-producenarrator), documentary, 1989. Directoproducer: Nikolas Schreck. Zeena was co-producer, provided all the female narration, as well as contributing some of the soundtrack music for the film.
Speak of the Devil: The Canon of Anton LaVey (as herself - uncredited), documentary, 1998. Directors: Nick Bougas/A. Wyatt Mann, Adam Parfrey/Feral House)
Showdown with Satanism (as herself), documentary, 1997. Produced by Bob Larson Ministries Video,
You May Be Sitting Next to a Satanist (as herself), documentary, 1997. Directors: Alanté & Antoine Simkine, French
The Zurich Experiment (performeproducedirector), documentary of live music performance, 1992. Produced by Video Werewolf Inc., Vienna, Austria
Zeena Tantra
Germania: The Theory of Ruins, (producedirectophotographer), Documentary-art video, 1992. Director: Zeena Schreck, Produced by Video Werewolf Inc., Vienna, Austria
The First Family of Satanism (as herself), 1990. Produced by Bob Larson Ministries, USA
Ragnarok, (Producedirector), documentary, 1990. Produced by Video Werewolf Inc, USA
The 80s: Satan's Seed Strikes Back [Alternate title: Zeena vs. Ignorance], 1989 documentary of compiled interviews of Zeena video, produced by The Black House, USA
Satanis: The Devil's Mass,(as herself) 1968 documentary, director: Ray Laurent USA, Something Weird Video,
The Wonderful World of Brother Buzz (as herself) 1965 Children's television program, San Francisco, USA
Publications (as author)
The Zaum of Zeena, all art and writings in "The Zaum of Zeena" are her own. Edited by Frank Haines, published by Heinzfeller Nileisist for the New York Art Book Fair, 2015[89]
Demons of the Flesh: A Complete Guide to Left-Hand Path Sex Magic. Co-authored by Zeena and Nikolas Schreck, deals heavily with the subject of sex magic and the worship of the feminine in Eastern Tantra, pagan ritualism, Christianity, and western occultism. Creation Books, 2002
Straight to Hell: 20th Century Suicides, Zeena Schreck wrote the Heaven's Gate Chapter, Creation Books, 2004
LeDossier Manson, by Nikolas Schreck. Features as Appendix A, Zeena's 53 page full transcript, with introduction and annotations also by Zeena, of the raw video footage from Nikolas Schreck's interview to his documentary, Charles Manson Superstar. Transcript title: "Easter Monday Audience with the Underworld Pope: Charles Manson Interviewed and Decoded". Jacket design artist/graphic designer and all chapter plates by Zeena Schreck. Camion Noir, 2011
The Manson File: Myth And Reality Of An Outlaw Shaman, by Nikolas Schreck. Features as Appendix A, Zeena's 53 page full transcript, with introduction and annotations also by Zeena, of the raw video footage from Nikolas Schreck's interview to his documentary, Charles Manson Superstar. Transcript title: "Easter Monday Audience with the Underworld Pope: Charles Manson Interviewed and Decoded". Jacket design artist/graphic designer and all chapter plates by Zeena Schreck. World Operations, 2011
Beatdom Religion issue #10, Zeena wrote two short stories in this issue: "A Short History of Buddhism in Berlin" & "Lost and Found: A Fairy Tale of Sethian Awakening" 2011
Beatdom Nature issue #11, Zeena's autobiographical essay, "Liberation Under the Snow Moon", 2012
Beatdom Crime issue #12, Cover photo and theater monologue "Night Shift, Richmond Station" 978-1481801836
In 2013, Zeena wrote a column for VICE online magazine called "From the Eye of the Storm".
Published illustrations & graphic design by Zeena
All My Sins Remembered - The Sonic Worlds of John Murphy, CD booklet cover
The Zaum of Zeena, all art and writings within "The Zaum of Zeena" are her own. Published by Heinzfeller Nileisist for the New York Art Book Fair, 2015
The Manson File: Myth and Reality of an Outlaw Shaman, Cover design, artist/graphic designer and all chapter plates by Zeena. World Operations, 2011
LeDossier Manson, Cover design, artist/graphic designer and all chapter plates by Zeena. Camion Noir, 2011
Demons of the Flesh: The Complete Guide to Left-Hand Path Sex Magic, selection and editing of photos and images, as well as contributed two original drawings created for this volume 2002
Kabbalah, Qliphoth and Goetic Magic, contributed two original photos and two original drawings for this volume. Ajna, 2004
The Exit Collection, two original drawings for this volume. Tacit, 1998
Songs for the End of the World design & original art for CD's cover, booklet & inlays; Radio Werewolf, Gymnastic Records, 1991
Love Conquers All, design layout for CD's cover, booklet & inlays; 1992 Radio Werewolf, Gymnastic Records,E
Witchcraft/Boots, concept, double cover design & photographic tableau of Nikolas Schreck for Witchcraft side (photo of Zeena for Boots side by Helmut Wolech); Radio Werewolf, Unclean Production, 1991
Bring Me the Head of Geraldo Rivera, concept, cover art & design; Radio Werewolf, Unclean Production, 1990
The Lightning and the Sun, cover design & layout; Radio Werewolf, Unclean Productions, 1989
Publication cover stories featuring Zeena
Cuir Underground; Issue 4.2 - Summer 1998 Sado-Magic for Satan interview with Zeena Schrek by Kiki Scar
Beatdom, Crime issue #12, Cover photo and theater monologue "Night Shift, Richmond Station"
Disclaimer: Although gathered from credible sources, some or all of this article may be false. Or some or all may be true. I cannot validate either.
#zeenashrek #occultism

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